Recordmecca

A clean first US pressing of The Rolling Stones debut album, England's Newest Hitmakers, with the scarce photo insert. The earliest cover, with the 'Free Full Color Photo' mention, is in NM...

Jerry Garcia’s personal acetate of side 1/side 2 of the Grateful Dead’s 1971 self-titled double album, better known as Skull and Roses.  This acetate was sold by Garcia’s widow, Deborah Koons Garcia,...

Otis Redding’s signed contract with Broadcast Music, Inc. (BMI) for the calendar year of 1963.  This agreement, dated April 29, 1963, allowed BMI to collect royalties for his first two singles, ‘Fat...

A rare promotional twelve-page accordion-fold Rolling Stones 1978 Tour Recap, issued by Atlantic Records on Sept. 11, 1978. This fold out 'Atlantic Atco Bulletin' is entirely devoted to a lengthy date-by-date recap...

A scarce program for The Who's October, 1969 six-night residency at New York's Fillmore East, during which they performed their new rock opera, Tommy. This deluxe program includes a 12-page insert printed...

A handwritten letter from Free co-founder Andy Fraser to a Los Angeles-area girl he had dated, from whom we obtained this. Fraser was something of a musical prodigy, joining John Mayall's band...

A superb and unused first printing of the iconic poster advertising the Velvet Underground's final shows with Lou Reed, at Max's Kansas City during June, July and August of 1970.  The group's...

A UK first pressing of Sam & Dave's 1966 Atlantic Records single "If You Got The Loving (I Got the Time)/Said I Wasn't Gonna Tell Nobody" signed on the B-Side label by Sam...

A very clean copy of the highly collectible 1966 album The Acid Test, featuring Ken Kesey and the Grateful Dead. Kesey has signed the front cover just to the left of his...

A copy of the West Coast Pop Are Experimental Band's Volume II, signed and inscribed on the back cover by the controversial and reclusive group leader Bob Markley. We obtained this from...

An original RIAA Platinum Record Award for Prince & The New Power Generation's Love Symbol, presented to a former Senior Vice President of the Prince’s record label, Warner Bros. Records. Recordmecca's Jeff Gold is...

A typed letter from Leonard Cohen to his friend and editor at Viking Books, Corleis ‘Cork’ Smith, asking "would you mind taking a look at a manuscript of an old friend of...

Jerry Garcia’s personal test pressings of the Grateful Dead’s 1971 self-titled double album, better known as Skull and Roses.  These test pressings, with an unreleased alternate coupling, were sold by Garcia’s widow,...

A laminate backstage pass for the Grateful Dead's October, 1980 shows at New York's Radio City Music Hall.  The Dead played Radio City from October 22-31, 1980; the last two concerts were...

An original handbill advertising the 1964 American Negro Blues Festival's stop at Fairfield Hall, England. Headlining this almost too-good-to-be-true lineup are Howlin' Wolf, Sonny Boy Williamson, Lightnin' Hopkins, and Willie Dixon, alongside...

An RIAA Double Platinum Record Award for Prince and the New Power Generation's album Diamonds & Pearls, presented to a former Senior Vice President of Warner Bros Records, Prince's label. Recordmecca’s Jeff...

The signature of Bebop giant Charlie Parker on a page possibly clipped from an autograph book.  Parker writes in black fountain pen "To Kay / Regards / Charlie Parker."  Parker died in...

An exceptionally rare die-cut, easel-backed record store display (or standee,) made in 1978 by Island Records to promote Bob Marley and the Wailers album catalog, and his newest album, Kaya. Measuring over...

A original concert poster advertising ten German dates on Black Sabbath's 1980 Heaven and Hell tour.  By the time of these dates, Ronnie James Dio had replaced Ozzy Osbourne as the band's...

Two single-sided LP acetates of the Ramones' Leave Home (Remaster 2017) from the archive of legendary Ramones producer/engineer/associate Ed Stasium.  These were used during the production process, and the cover of each...